Patrick’s Picks is a series of monthly Spotify playlists curated by Jacaranda’s Artistic Director, Patrick Scott.
Each two-and-a-half hour playlist spans genres, eras, and continents, and is crafted with the current historical moment in mind.

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and while you’re there, check out our first two Jacaranda Live Recordings releases:
Rebellious: Music of Julius Eastman, & A Charged Embrace: Music of Kraft, Broughton, and Krausas.

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JANUARY 2025


OUR OWN STORIES: FLOCK TOGETHER

We begin 2025 with a deep sense of uncertainty, and a need to take stock of who we are collectively—and who we are as individuals. Here is a collection of timely stories separated with big chunks of recent music by four amazing contemporary classical composers: Gabriella Smith, Mazz Swift, Julia Wolfe, and Anna Clyne. David Lang is an honorary feminist here. The film Conclave’s dumbfounding surprise ending, and its superb score by Volker Bertlemann, lingered in my thoughts for weeks. One could hardly find two more different veteran singers than Leonard Cohen and Dolly Parton to offer dark warnings and sage advice. Nina Hagen, the “Godmother of German Punk”, knows something of what she sings. Billie Eilish’s soft-grained mediation on equivocal promises comes down on the side of eternity. UK’s breakout rapper Joshua Idehen tells it like it is with dry wit and freshly mordant humor. DEVO (still not in the Rock & Roll Hall of Fame!) are on-the-money bards for the imminent period of de-evolution that begins this month.

DECEMBER 2024


PHOENIX RISES: NOTRE DAME DE PARIS

The great cathedral, which began construction in April of 1163, funded by the Knights Templar, burned in April 2019. After five years of internationally supported restoration, this month we celebrate Notre Dame’s rise from the ashes and salute its newly-designed weathervane—a Phoenix licked by flames. Ten enormous bronze bells were hoisted back into the belfry made famous by Victor Hugo’s 1831 novel The Hunchback of Notre Dame. The massive organ built in 1330 and first expanded in 1403, was spared the fire, but its 8,000 pipes were filled with ashes and its five consoles covered in lead soot. The oldest bell came from the foundry in 1686. Buddhist Jew, and admirer of Jesus, citizen-of-the-world Leonard Cohen’s strange and timely poem God is Alive, Magic is Afoot gains from the indigenous perspective of Buffy Sainte-Marie. This playlist honors Pierre Cochereau, the organist most associated with Notre Dame, and Olivier Latry his successor since 1995. Ending with an excerpt from the glorious and massive Te Deum by Berlioz, followed by his elaborate arrangement of La Marseillaise, French music across the ages, especially Gregorian Chant, is featured. The first known composers from the 12th century Leonin and Pérotin, join Machaut, Dufay, Josquin, Marais, Rameau, Corrette, Vierne, and Duruflé in a mix of sacred and secular music. Included is my nominee for the greatest all-time recording of ensemble singing Les Chants des Oyseaulx (Song of the Birds) by the eponymous Clement Janequin Ensemble. The haunting Parce Mihi Domine by Christóbal de Morales, with jazz saxophonist Jan Garbarek and British Hilliard Ensemble, recorded in an Austrian monastery still ranks as a singular achievement. Bach’s Magnificat will be performed in the official opening concert event on December 8.

NOVEMBER 2024


ANSWERED QUESTIONS: UP ALL NIGHT

In sequence, a timely narrative runs through this eclectic and wayward journey. The Unanswered Question by Charles Ives may be our most enduring music about American democracy, so I offer some possible answers and side comments in response. Annie Lennox and Eva Cassidy, our oracular playlist guides since August’s seismic shift in electoral politics, continue. Joan Tower’s response to Aaron Copland’s Fanfare for the Common Man proclaims the arrival of an uncommon woman. In days ahead some widely-held illusions and assumptions are poised for Collapse. Those who make prophesies, and others who inhabit wealthy dynasties get Taylor Swift’s pointed attention. Bruce Springsteen reasserts a patriotic truth with hurricanes in recovery. Julius Eastman brashly urges us to Stay On It until his tambourine and maracas duo just increases the suspense. Killing time, a Renaissance riff mesmerizes incognito, then a tango turns baroque, and a ballad bumps into Beethoven’s famous bagatelle. John Adams offers relaxed grooves to recall campaign road trips and rare stops with Easy Winners. Joyful warriors Gwen Stefani, Pharrell Williams, Katy Perry, and Journey are followed by indominable songs of Urban Desi angst, and Haitian betrayal. Meredith Monk and Bobby McFerrin invoke Ellis Island, the great temple of American immigration, with a swarm of syllables. Into a wistful landscape fall autumn leaves, with a familiar appeal to our better angels. Eminem captures the bare-knuckle stakes of reality, while St. Vincent seeks planetary guidance, and Beck embraces an all-nighter. Prince calls for an epic party punctuated by another momentous fanfare!  

VELVET GLOVE/IRON FIST: LOTUS FROM THE MUD

OCTOBER 2024


Last week, the Zodiac moved into Libra where it will remain until a week before Halloween. Christina Aguilera, looking like a goddess weighing the scales of justice on her album Lotus, offers the perfect prescription for the moment—turn up the love, turn down the hate—in “Make the World Move.” Her call for going forward is answered by David Byrne. Among his deeply ironic speculations about the future—half of us will be mentally ill—clearly rings true today! Hey, did DEVO say—what you’ve got is freedom from choice? St. Vincent, making her debut on this playlist, shares a breakup song with Taylor Swift about desperately small and broken losers. The Haitian Troubadours are here to settle a score. Duke Ellington and Nina Simone herald a new world coming. Neil Young’s “Philadelphia”, covered by the soulful clarinetist Richard Stolzman, registers optimistic relief, while favorite singer Eva Cassidy ponders the price of independence in Georgia. Listen for songs in Spanish, Haitian French, Hindi, and Tagalog. Charles Ives, idealistic Libran rabble-rouser that he is, takes the scherzo for a wild ride. Ives, Lou Harrison, David Lang, and Drake toss in apples of discord to keep this playlist’s world of truth, balance, justice, and beauty interesting. Fellow Piscean CPE Bach’s inventive genius recently re-emerged for me. Carl Philip Emanuel would share Gemini Prince’s admonition to “Feel Better, feel good, feel Wonderful”. As will Kamala Harris, who’s hips don’t lie in the politics of dancing, while celebrating her birthday October 20 doing it her way.

VENN DIAGRAMS: GETTING BRIGHTER

SEPTEMBER 2024


Venn diagrams are illustrations that use overlapping circles to show the logical relationship between two or more sets of items. Circles that overlap have a commonality, while circles that do not overlap do not share any of the other circles' traits. Popularized by John Venn in the 1880s, Venn diagrams can help visually represent the similarities and differences between two concepts and have long been recognized for their usefulness as educational tools in a variety of fields.

BLUE YONDER: WHEN TOMORROW COMES

AUGUST 2024


The exuberant warmth and optimism of Leo radiates into the luminous blue yonder. To anticipate the tenor of August—and this particular lion’s roar—Patrick’s Picks was completely remade four times during the tortured month of July. To open, Annie Lennox sings a forward-looking but bittersweet farewell, and to close, she calls for the coming of tomorrow. A feminist flashback by Ava Max from last summer’s blockbuster film Barbie is joined by the 360 degree vision of a bratty Charli xcx, a blunt speaking Rophnan, an observant Dessa, and a wishful Diplo. The underappreciated American master of the orchestra Michael Torke’s Bright Blue Music is answered by a bit of his violin concerto Sky. Philip Glass and John Adams add their characteristic American moods and insights. Freedom fighters Beyonce, Nina Simone, and the late Bernice Johnson Reagon (Sweet Honey In the Rock) weigh in for good measure. The west-facing wonders of California are heralded by 2pac and Joni Mitchell; far flung music from India and Jamaica resonates. Eva Cassidy carries the torch of soulful sincerity from Lennox and back to the Eurythmics.

DARK RED, WHITE & INDIGO: BENDING THE ARC

JULY 2024


Never before has July been so fraught with Presidential drama! The afterburn of a torturous debate was upstaged by the Supreme Court’s radical revision of the U.S. Constitution, leading to the sentencing phase of a criminal candidate postponed—and moving on to mid-month spectacle with the GOP Convention! So, how can you be entertained this month without retreating into total escapism? Here’s “My Shot”! We open with a catchy refrain “Facts are facts, and fiction’s fiction”. Two fierce women take gaslighters and criminals to task. Queen’s remastered early hit calls out liars, then Beyonce mourns lost America. Songs from Hamiltonprovide a historical thread, and real time Civil War history is captured in The Union by Gottschalk. A mesmerizing chant of swing-state names by Julia Wolfe is answered by John Adam’s noirish “Boulevard Night.” Near the midpoint of this bending arc is a gorgeous plunge by Ellington/Clooney into mood indigo—the darkest deepest state of blues. No doubt you know it. Jazz at Lincoln Center incites democracy, and a persuasive 2Pac + crew urge us all to “Keep Ya Head Up.” The cryptic mystery of “A Whiter Shade of Pale” performed by Annie Lennox and again by King Curtis appropriates J.S. Bach to give your soul a momentary chiropractic adjustment. That’s why this timeless song is here twice. Take a deep breath and resolve to act.

GAZA: NEED MORE LIGHT

JUNE 2024


Finished a year before the 1967 Third Arab-Israeli War, Stravinsky’s Requiem Canticles frames the playlist with a quartet of movingly astringent dispatches from the Roman Catholic mass for the dead. Shedding contemporary light on the people of Gaza are three Israeli singers Omer Adam, Jasmin Moallem & Ofra Haza and three Palestinian singers Tamer Nafar, Kamilya Jubran & Aya Halaf. Palestinian groups 47SOUL & DAM embraced Rap, music originating from Black American oppression, that taught them English and now allows them to reach a young international audience with activist messages. The Hebrew-language singers draw from rich melismatic traditions to make songs of deep emotions and great popular appeal. Adam’s dance music and Hip Hop affinities have made him one of the world’s most downloaded pop stars. Dean of Israeli-born composers Shulamit Ran (Glitter, Doom, Shards, Memory: “That Which Happened,” 2014) and the Russian-born Ljova (Finding Babel: “Healing,” 2015)—half her age—share wide-ranging Hebraic cultural and classical sensibilities. In his Palestinian Notebook,German-born Modernist Jewish composer Stefan Wolpe, a student of Schreker and Busoni, offered piano music of subtly & strength. Fellow New Yorker Steve Reich explores current meanings of the Old Testament and the Cave of the Patriarchs in Hebron from which both Judaism and Islam emerged—with  significance for Christianity. Turkish pianist/composer Fazil Say’s profound Black Earth is here performed by Inna Faliks who unveiled her interpretation on Jacaranda’s 2023 “Za’atar” concert of contemporary music of the Middle East. John Adams’s controversial opera The Death of Klinghoffer, depicting the Palestinian terrorist attack on the passenger liner Achille Lauro, bestowed upon classical music two of the most haunting choruses of 20-century opera. To warn, this playlist may contain offensive language among its sundry appeals for freedom, mutual respect, and healing.

PACIFIC RINGS: STRAWBERRY FIELDS

MAY 2024


Ambient music suffuses virtually every style of composing today. The contrary motion of air that is Gemini seems a sympathetic temporal mindset to explore ambience from our Pacific Rim vantage in Los Angeles. Brian Eno, Harold Budd, Pauline Oliveros, Alvin Lucier, and Daniel Lentz advance the cause. Lou Harrison, John Adams, Gyorgy Kurtág, Philip Glass, and Donnacha Dennehy swing wide from ambiance in different and opposing directions. Juana Molina takes an experimental Latin pop stab, while Frank Zappa, Chicano Batman, and The Flying Lizards offer knowing smirks of comic relief. Let’s prevent climate change from making the vast fragrant strawberry fields of California a sweet memory mirage.

GREEN SHADOWS: DESERT TO SEA

APRIL 2024


Spring is the time of year to hear the Parsifal Prelude, which has infused so many important Hollywood scores including the Lord of the Rings. The score ensorcelled both Anton Bruckner and John Adams, who made more than a nod to Schoenberg by titling his symphonic masterpiece Harmonielehre (Theory of Harmony), after the master’s 1921 book of essays. Here Adams’s “Anfortas Wound” movement harkens to Wagner’s Christian/Buddhist “sacred festival stage play.” About its inspiration he wrote, “On Good Friday I awoke to find the sun shining brightly for the first time in this house: the little garden was radiant with green…” In desert shadows are tiny green sprouts, foggy seaside landscapes are verdant with moisture loving plants. In Steve Reich’s urtext Pendulum Music is the human heartbeat, cycles of the moon, and the rumble of deep terra trembling. Robert Erickson is attuned to the Pacific ocean, and Steve Stucky always sensitive to the evanescence of light and shadow. The versatile LA-based Daniel Hart channels the essence of a mysterious Arthurian “Green Night” in three equinox interludes.

NAVALNY: ON AND EVER ONWARD

MARCH 2024


With unmistakable bitterness two singles by the obscure Russian musician Levak opine on the grim fate of Alexei Navalny and Ukraine. Sweeping elegies by Shostakovich and Tchaikovsky anticipate great Russian monuments to Navalny once—like waking from a terrible nightmare—Putin’s reign of terror is ended. Overflowing with irrepressible conviction, Mahler’s hero sings a “drinking song of the earth’s sorrow”. In solidarity, Poland, Estonia, and Finland offer keening tributes and lay opulent wreaths among banks of floral gestures, modest and touching. The austerity of Japanese fury and grief gives poetic weight to our transnational mourning of a hero’s life destroyed in an arctic prison.

FIERCE BEAUTY I & II: PLANET SCHOENBERG 2024

FEBRUARY 2024


Heartfelt intensity suffusing boldly unapologetic beauty describes the various marvels of this final journey. The complex organization of Arnold Schoenberg’s Opus 23 and intricate design of the dozen piano pieces by Pierre Boulez is their secret strategy for pleasure. The more transparently accurate the performance the more potent the impact on the listener. Feeling for color and mood are always the artist’s x-factor, and intuition matters. John Coltrane studied with a disciple of Schoenberg. Like the film composer Leonard Rosenman, a Schoenberg student, Coltrane was helped by the master’s ideas to find his true voice in compositional rigor—as evidenced by his masterpiece A Love Supreme. The charms of Richard Strauss in this witty chamber arrangement shows why he was embraced as the forerunner of modernism in Vienna at the turn of the century—while in fact the First Chamber Symphony of Schoenberg proved otherwise. The north star for Schoenberg was Bach who’s powerfully forward-looking Chaconne shines brightest. Mahler was Schoenberg’s champion, and his debt to Schoenberg can be heard in the heartbreaking Adagio of Mahler’s unfinished Tenth Symphony.

TRANSATLANTIC: PLANET SCHOENBERG 2024

JANUARY 2024


TRANSATLANTIC journeys from Vienna to Los Angeles with music epitomizing Arnold Schoenberg’s roots in Franz Schubert, and his popular 1899 Late Romantic sextet  Transfigured Night, now an established classic of the standard repertoire. After an icy winter traveling between Boston and New York in 1933, the Schoenberg family relocated briefly in Hollywood then Brentwood, where their home stands today as a living testament. The playlist captures a tennis match between Schoenberg and his close friend George Gershwin who had studied with an advanced Viennese pedagogue in the 1920s. Included is the “Gigue” from Schoenberg’s 1921 Suite for Piano. Listen for chord progressions that hint at Gershwin’s 1928 tone poem American in Paris. Erich Zeisl’s Menuchim’s Song, enchantingly performed by Jacaranda pianist Steven Vanhauwaert with his friend Ambroise Aubrun, stands in for Songs for Barbara yet to be recorded by pianist Gloria Cheng. Then eight-years-old, Barbara Zeisl would marry Schoenberg’s oldest son Ronald. Mikhail Korzhev, the last word on the piano music of Schoenberg disciple Ernst Krenek, shares the witty yet patriotic George Washington Variations from 1950. Of course, this newly minted U.S. citizen was aware of the McCarthy era Red Scare. In 1942 Schoenberg also weighed in on tyranny – that of WWII dictators Hitler, Mussolini, and Stalin – with his riveting Ode to Napoleon, a setting of Lord Byron’s outraged indictment. Join us for the SESQ-Weekend January 13 & 14 for relevant documentaries and the “Transatlantic” concert as we kick off the new year with Schoenberg’s sesquicentennial.